Andreas Eastman VA405 Viola
Designed with many of the same tonal traits as the model 305, the 405 is balanced more towards reserve & integrity vs. easy response. Optimal for a more demanding musician.
Excellent workmanship. The varnish we use on our model 405 instruments emulates the exceptional varnishes from a century ago where a small number of master workshops in Markneukirchen, Germany distinguished themselves by developing some of the best varnishes of the modern era.
| Top | European Spruce |
| Back/Ribs | European Maple |
| Purfling | Genuine Hand-inlaid |
| Fingerboard | Ebony |
| Fittings | Boxwood with Ebony Trim |
| Finish | Antiqued Spirit Varnish |
| Available Sizes | 16.5” – 15” |
| Available Patterns | Stradivari, Tertis |
| Tailpiece | Wittner |
Description
Designed with many of the same tonal traits as the model 305, the 405 is balanced more towards reserve & integrity vs. easy response. Optimal for a more demanding musician.
Excellent workmanship. The varnish we use on our model 405 instruments emulates the exceptional varnishes from a century ago where a small number of master workshops in Markneukirchen, Germany distinguished themselves by developing some of the best varnishes of the modern era.
| Top | European Spruce |
| Back/Ribs | European Maple |
| Purfling | Genuine Hand-inlaid |
| Fingerboard | Ebony |
| Fittings | Boxwood with Ebony Trim |
| Finish | Antiqued Spirit Varnish |
| Available Sizes | 16.5” – 15” |
| Available Patterns | Stradivari, Tertis |
| Tailpiece | Wittner |
